The Hunger Games

Last night, I couldn't get up the willpower to see Titanic, 100th anniversary or no. For my first theatrical viewing of 2012 (!), I checked out The Hunger Games instead, which proved a pleasant surprise. Citizen Kane it's not, but then a reasonably-smart, character-driven blockbuster has its own rewards.

Each year the dystopian state of Panem holds an annual "Hunger Games," where two children from 12 districts compete in a nationally-television gladatorial bout. District 12 teen Katniss Everdeen (Jennifer Lawrence) volunteers in place of her sister, becoming an instant celebrity. Along with Peeta (Josh Hutcherson) Katniss goes to the Capitol for training, developing feelings for her partner. But when the contest starts Katniss must keep her wits, especially with tough guy Cato (Alexander Ludwig) organizing an anti-Katniss alliance and show boss Seneca (Wes Bentley) manipulating events. Overseeing it is President Snow (Donald Sutherland), who fears "too much hope" may instigate a rebellion.

Based on Suzanne Collins' best-selling novels, The Hunger Games presents an interesting story. Panem's rigid class structure and authoritarian government are integral parts of the story rather than a grim backdrop: the Games are punishment for a past rebellion and a way to keep the lower classes in line. There's a cruel reality show aspect to the affair, with contestants using charm and media savvy to gain "sponsors." When Katniss and Peeta fall for each other the bosses arbitrarily change the games rules to promote them - a decision which ultimately backfires. As the President fears, they become a symbol of defiance to his regime.

Critics are fond of comparing the film to Battle Royale, The Running Man and myriad other sources. But originality has never been a premium for Hollywood blockbusters. Mostly Hunger Games is refreshing for its smart, creative approach to the material. Collins crafts a vivid reality with a strong, beautifully-drawn protagonist, which is highly commendable. It treats its audience with respect, which can't be said for tween tripe like Twilight.

Gary Ross provides solid direction. Interesting costume and set design contrasts the grim prolterian "outer districts" with the decadently-coiffed Capitol. The handheld camera is overused but fits the frantic, violent action scenes perfectly: the chaotic curtain-raising slaughter is especially striking. It's a deliberately paced film, developing its characters and dispensing exposition between killings. The story often strains to keep Katniss alive, arbitrarily twisting game rules and character actions for cathartic purposes. In the film's universe though it's mostly forgivable.

Jennifer Lawrence garnered much attention with Winter's Bone and X-Men: First Class, but this role cements her as a star. Katniss is a lovely heroine, balancing strength and athleticism with personal vulnerability and doubt. Lawrence, with her strength, awkwardness and girl-next-door beauty, gives a sensitive performance that captures both aspects of the character. A fantasy character yes, but a far more appealing one than, say, Bella Swan.

The other teen actors are fairly one-dimensional: only Amandla Stendberg's Rue stands out. The adult cast is more interesting. Woody Harrelson and Elizabeth Banks (W.) have an hysterical doubles-act as District 12's harried "mentors." Stanley Tucci (Captain America) nabs a choice role as a glad-handing talk show host. Donald Sutherland gets some brief but effective scenes as the sinister President. Other roles go to Wes Bentley (The Four Feathers), singer Lenny Kravitz and the ubiquitous Toby Jones.

The Hunger Games exceeded my expectations by being a smart, well-crafted thriller. Its huge box office success makes sequels inevitable which in this case has promise.