Call that a sacristy?

Now this is a sacristy.........

What are the dimensions?......something like 40 feet by 20 feet...hmm....that's larger than the one at Blogfen.

Take a look at this....



How many chasubles could be stored here?
How many chalices and ciboria?

And will you look at this?

The opposite walls are adorned with religious art

I’ll bet you still couldn’t find a box of matches though.

Where is this place?....

It's in Lisbon, at Belem, the Monastery of Sao Geronimo (Jerome).

The Church is vast with an uncountable number of side altars.

Just imagine; two, maybe three hundred monks in residence; how many Masses would be celebrated each day during say, the 17th century?

Fifty?....more, more....Sixty....more even.....Seventy?....at least.

And that would entail roughly six Masses being celebrated simultaneously, for more than ten hours each day.

Of course, if we fast forward to modern times they could just have had one concelebrated Mass; and that really brings it home with a crunch.

What value would Almighty God place on those seventy Masses and what would He place on the one, concelebrated Mass?

Well, I will not even attempt to second guess my Lord and God but....it seems pretty obvious really.

If I recall my RE lessons correctly, I think that Spain and, possibly, Portugal, had to introduce laws in the 1600s, prohibiting men and women from joining religious orders because so great were the number of vocations, the economy was in peril of going under from the lack of human resources.

I have seen quite a few Cathedrals but the heavenly monastery at Belem beats them all hands down.

Better, by far than the Belem cakes that are sold locally. 

And they too are heavenly!

                              A grand entrance to the monastery of St Jerome, Lisbon

Our Lady is definitely not blonde

That excellent Catholic journalist, Christopher Howse writes in Saturday's Daily Telegraph about Mary the Mother of God and how she has been perceived and portrayed by artists and poets. He quotes the from a poem called "Icon" by contemporary poet and talented artist, Lynn Roberts:

    "She is a dark/scared girl in dusty djellabah and veil,/with dirty feet."




 



Picture: The Daily Telegraph
Our Lady as portrayed by poet Lynn Roberts

I like the realism of this type of portrayal; it shows beauty, honesty and a certain level of basic human goodness. I much prefer this sort of treatment over the conventional blonde haired virgin so beloved of the western world. Those who commission the creation of  statues and those who carry them out seem oblivious to the fact that Mary was a Jewish peasant girl; dark hair, sallow skin and slightly more obvious features than we are used to seeing on our "English Rose" version. I recall the story of how, once Lourdes began to develop as a place of pilgrimage, the church placed a statue of Our Lady in the niche at the Grotto, exactly where she had appeared. This statue caused St Bernadette some angst as, according to her (and she should know), it bore no relation to the vision she had seen. When Our Lady appeared at Lourdes she appeared as a Pyrenean lass, short and stocky but outstandingly beautiful. Let's face it, the niche is only around five feet or less in height, there is no way that the conventional Virgin could have fitted into it. The present statue is, I guess, about four feet in height.

I also like the fact that, wherever you go in the world, Our Lady is featured as a native of the particular country you may be in. In Japan, Our Lady of Akita is most definitely Japanese, the same applies in China and I am sure that Africa is well endowed with genuine Black Madonnas. But here in Europe and, indeed in the USA, Canada and Australia/New Zealand, we are only familiar with Mary's "European" features and I long for an image that I can more easily relate to. What, I wonder, caused Renaissance artists to portray her as a blonde? Was it a form of racism, a reaction against the Jewish race? If so it was very short sighted; I find a Jewish maiden concept utterly charming and we in the Western world should now be mature enough to cope with such things. Perhaps we could see more statues and carvings that are true to the original or, at the very least, our interpretation of how that very young and scared maid from Nazareth must have looked.


Lynn Roberts is a very gifted artist and also has a range of botanical illustrations in her portfolio. I hope that she receives some commissions from the Catholic Church in the future, we need to bring some integrity into the contemporary art within our churches.





      Tall, blonde and lissome? That is not how Our Lady of Lourdes looked!